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Katy Hudson (album) : ウィキペディア英語版 | Katy Hudson (album)
''Katy Hudson'' is the eponymous debut studio album by American singer Katy Hudson, who subsequently adopted the stage name Katy Perry. It was released on February 8, 2001 by Red Hill Records. It incorporates primarily Christian rock and contemporary Christian music elements with lyrical themes of adolescence and childhood and Hudson's faith in God. Reviews of the album were mixed and it sold fewer than 200 copies. Later due to Hudson's increased popularity, demand for the album increased. ==Composition== ''Katy Hudson'' saw Hudson exploring Christian rock and contemporary Christian music (CCM).〔 Amongst what was described as an alternative direction were prominent influences of pop rock. During an interview for her official website at the time, Hudson cited artists Jonatha Brooke, Jennifer Knapp, Diana Krall, and Fiona Apple as her musical influences. "Trust in Me", "Naturally", and "My Own Monster" were said to capture "loneliness, fear and doubt often ascribed to teens". The first features "haunting" strings with "electronica effects" and "solid rock roots". An aggressive track, "Piercing" depicts the infatuation people have with expendable things. In "Piercing", Hudson sings: "Lord, help me see the reality / That all I'll ever need is You".〔 "Last Call" was written by Hudson while reading the book ''Last Call for Help: Changing North America One Teen at a Time'', written by Dawson McAllister. Musically, it sees Hudson going into a more jazz-oriented sound.〔 Hudson described "Growing Pains" as an anthem for children and adolescents, explaining that society shares a misconstructed image of them, often viewing them as individuals that do not believe in or do not know much about God. Written by Hudson when she was in eighth grade, the song "Spit" addresses the hypocrisy she faced in Christian school. "Faith Won't Fail" was inspired by faith always sufficing in Bible situations and chapters; and Hudson commented on "Search Me": "I was struggling with the fact that I would have the huge responsibility of how others would be affected through what I was doing or saying on stage. I don't want to put on some kind of front that everything is good when it's not. I wanted to keep it real, but still give people hope." The record closes with "When There's Nothing Left", which has been described as a "crisp and clean 'love note' to God". The album was described as not being in the vein of the bubble gum pop variety rather evoking comparisons to the Christian pop songstresses Rachel Lampa and Jaci Velasquez.
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